Ken Nnebue nevertheless insists that their movie "surviving in Bondage" was the first Residence Video film made for commercial purposes. Their stand regarding the matter is pretty shaky, having before the manufacturing of surviving in Bondage sponsored commercial movies in Yoruba language such as Ina Ote, Aje N'iyami as well as others. Let us not forget the barrage of Yoruba TV dramas that have been mass produced on VHS tapes and offered towards the public before 1992. One can't don't point out the famous Eddie Ugbomah's movie "the truly amazing Attempt" (1989), which will are making history whilst the 1st Nigerian cine film in the video tape format to have been censored by the defunct Federal Board of Film Censors (FBFC) based for a "special concession" granted him officially by the permanent assistant of this Federal Ministry of Ideas and customs in those days.
Unfortunately the strong articles projected into the film were considered unsuitable for public watching by the Board, hence the movie had been never ever released. Tunde Alabi -Hundeyin's "Iyawo Alhaji" is officially in record as the very first commercial (direct to exhibition hall) movie movie to be censored and categorized by the NFVCB in 1994 during the National Theatre, (Cinema Hall) Iganmu. Regardless of the fire that is controversial, the worldwide promotion fond of "staying in Bondage" over the years invariably imputed the film into our memory banking institutions since the flag bearer of the house Video revolution of most times. People, irrespective of Nationality, race, gender, and tribe are confronted by challenges on a day-to-day basis. Several of those dilemmas are of a nature that is global although some are strange to various communities. Films provide people the chance of telling their very own tales, clear of alien disturbance.
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"The Yoruba Travelling Theatre Group" of this 60's and 70's may be called the "Fountain Head" of movie productions in Nigeria. The veterans with great Theatrical skills and performances that are great their works beyond the stage, and dove into the sea of film productions utilizing the Celluloid structure. Notable filmmakers regarding the Roll call of Honour through the Celluloid boom age of the 70's include Ola Balogun, Eddie Ugbomah, belated Herbert Ogunde, Adeyemi Afolayan a.k.a Ade appreciate (daddy of Kunle Afolayan of the Irapada
popularity), Ladi Ladebo, Moses Adejumo, Adebayo Salami and Afolabi Adesanya.
Record of documented movies produced through the 70's era and transcending somewhat into the 80's is in fact astonishing and goes to show that the Movie business has been around much longer, contrary to the '1992 belief syndrome' most were injected with. Such works include Kongi Harvest (1971), Alpha (1972), Bull Frog into the Sun (1974), Amadi (1975), Ajani Ogun (1975), Muzik guy (1976), Bisi, Daughter for the River (1977), Ija Ominira (1978), Aiye (1979), Kadara (1980), Jaiyesimi (1980) Efunsetan Aniwura (1981), Cry Freedom (1981),Ija Orogun (1982) Owo L'Agba (1982)